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Philippe Jaroussky Tickets

Philippe Jaroussky Tickets

Buy Philippe Jaroussky Tickets

Live opera reaches new heights of splendor with Philippe Jaroussky tickets! The stunning production of Philippe Jaroussky moves audiences into an emotional journey filled with dramatic intensity and musical excellence while showcasing today's most powerful operatic voices. French counter-tenor Philippe Jaroussky initially learnt the violin and piano, before being inspired to take up singing by Fabrice di Falco. He studied with the Early Music Department at the Paris Conservatoire, specialising in music of the Baroque period, as befits his vocal range. He has a vast Baroque repertoire, from the 17th century arias of Monteverdi, Sances and Rossi, to the more operatic Handel and Vivaldi.

He has performed and recorded with several notable period instrument orchestras and ensembles, including L'Arpeggiata, Les Arts Florissants and Europa Galante, and conductors including William Christie, René Jacobs, Emmanuelle Häim and Jean-Christophe Spinosi. In 2002, he set up his own Baroque orchestra called Ensemble Artaserse. Jaroussky has been part of the cast for operas on several album recordings and is signed exclusively to Erato Records.

He produced several compilation albums of solo arias including 'Heroes' in 2007, which is a selection of Vivaldi opera arias. This was certified Gold for sales, as was his album 'La Dolce Fiamma' (2009) which is a selection of forgotten Castrati arias. Moving away from Baroque, he released an album of French songs in 2009 called 'Opium' with the pianist Jerôme Ducros.

In 2008, the contemporary French composer Marc-André Dalbavie composed 'Sonnets de Louise Labé' for counter-tenor and orchestra for Jaroussky. He performed the sonnets at the Salzburg Festival in 2014. In 2012, Jaroussky and his orchestra Ensemble Artaserse revived the Vinci opera of the same name which had gone out of fashion and not been performed since shortly after it was composed in 1730.

The performance had a male only cast and starred five counter-tenors in the leading roles. 2013 saw Jaroussky reviving the work of renowned castrato Farinelli with the release of a disc of arias by composer Nicola Antonio Popora, written for Farinelli. Also in the same year, Jaroussky performed on the Erato album with soprano Julia Lezhneva in a recording of Pergolesi's 'Stabat Mater' with the I Barocchisti orchestra conducted by Diego Fasolis.

This won Best Baroque Vocal Album at the International Classical Music Awards in 2014. 2019 marked 20 years of performing for Jaroussky, and he celebrated this with the release of a triple album called 'Passion Jaroussky' which contains a selection of new and previously recorded material ranging from the 16th to the 21st century and showcases his collaborations with a selection of artists of various genres with input from the worlds of both classical music and pop. Secure your Philippe Jaroussky tickets now to experience this amazing production and join a global tradition that keeps inspiring audiences everywhere!

How much are Philippe Jaroussky tickets?

Philippe Jaroussky opera ticket prices will vary depending on which section your seats are located. On average, you can expect to payaroun $215 a ticket, but prepare to pay as high as $489 if you want a premium seat close to the stage.

Are Philippe Jaroussky tickets still available?

Philippe Jaroussky tickets are not available at this time. We will post tickets to all upcoming performances once an updated schedule is released.

When is Philippe Jaroussky performing?

The date for the next Philippe Jaroussky performance has not been announced. Explore other upcoming opera performances near you.

How long is Philippe Jaroussky?

Most live Philippe Jaroussky productions are around 2.5 to 3.5 hours long, with one or two intermissions between acts.

What are the best seats to see Philippe Jaroussky live?

Opera seating choices rely on both financial capabilities and personal viewing preferences. Audience members should choose mid-to-front rows in the center orchestra for the ideal sound and view combination but those who want a grand panoramic perspective should opt for seats in the front mezzanine or balcony. People should choose seats in the middle orchestra or mezzanine for the best acoustic experience because opera houses have sound systems that transmit sound efficiently to these areas. The rear orchestra and balcony sections offer affordable seating choices at the expense of slightly reduced sound quality.