Fedora Tickets
Fedora Opera Tickets
Celebrate the time-honored art form with Fedora tickets. Fedora is an opera written at the turn of the 20th century by the famed composer Umberto Giordano. Based on the play of the same name by Victorien Sardou, Fedora remains one of Giordano’s most well-known and easily recognizable works. The plot centers around the tragic misadventures of the Princess Fedora as she is both betrayed by her lover and accidentally causes the deaths of two innocent people.
Fedora premiered at the Teatro Lirico in Milan in 1898, where it was conducted by Giordano himself. The premiere starred the renowned singers Enrico Caruso and Gemma Bellincioni as Loris and Fedora, respectively. The opera was an immediate success, and soon enjoyed productions in Vienna and Paris. The first US production occurred in 1901 at the New York Metropolitan Opera.
Fedora saw a notable resurgence in popularity in the late ‘90s and early 2000s, with landmark productions put on by the Chicago Lyric Opera, the Royal Opera House in London and the Washington National Opera, among many others. If you are looking to see an opera that has stood the test of time, you have found one. Buy Fedora tickets today for your seat in the audience.
How much are Fedora tickets?
Fedora opera ticket prices will vary depending on which section your seats are located. On average, you can expect to payaroun $215 a ticket, but prepare to pay as high as $489 if you want a premium seat close to the stage.
Are Fedora tickets still available?
Fedora tickets are not available at this time. We will post tickets to all upcoming performances once an updated schedule is released.
When is Fedora performing?
The date for the next Fedora performance has not been announced. Explore other upcoming opera performances near you.
How long is Fedora?
Most live Fedora productions are around 2.5 to 3.5 hours long, with one or two intermissions between acts.
What are the best seats to see Fedora live?
Opera seating choices rely on both financial capabilities and personal viewing preferences. Audience members should choose mid-to-front rows in the center orchestra for the ideal sound and view combination but those who want a grand panoramic perspective should opt for seats in the front mezzanine or balcony. People should choose seats in the middle orchestra or mezzanine for the best acoustic experience because opera houses have sound systems that transmit sound efficiently to these areas. The rear orchestra and balcony sections offer affordable seating choices at the expense of slightly reduced sound quality.
